


Resealed and ready to hang. If curious, further historical details follow at the bottom.
Overall frame: approximately 26" x 20". Visible artwork: approximately 20" x 16". Even, warm toning throughout; no evidence of significant UV exposure or fading. Printed text and details remain crisp and legible across the full surface.Edges of the artboard show natural irregularity. Period backer board shows age-appropriate wear on reverse; structurally sound. Remounted in full float view using archival low-tack transfer tape; reversible. Real glass glazing; simple wood frame, new.
New hanging hardware installed; display-ready. The materials in this collage date from roughly 1917 to early 1919, spanning the final years of German administration and the immediate transition period, which accounts for the mix of German-language municipal documents alongside French-language cards such as the. (meat ration card) issued by the Ville de Strasbourg. The bulk of the material consists of municipal ration cards covering butter, sugar, meat, bread, and potatoes. , along with divisible coupon strips for measured weekly and daily quantities. Interspersed are military ration supplements marked. Sauerkraut and vegetable order cards, soap ration cards., and numbered administrative fragments from Bezirk 471 and 472. Flanking the central image are two woodcut-style vignettes, likely regional Alsatian landscape prints pulled from period printed materials; no attribution is visible. I imagine despite the tough circumstances the landscape was still just incredible as it is now. At the center of the composition sits a printed image of a nail cannon. Kriegswahrzeichen genagelt in der Kais.
These nail figures were made at the Imperial Artillery Workshop in Strasbourg. Nagelfigur were a genuine WWI fundraising and morale phenomenon, big iron figures displayed publicly where citizens paid to drive a nail in, proceeds going to war relief funds. If you are unfamiliar with the genre, look it up, neat stuff.